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Trending Grizzly bear chases wild horses.Funny short story for kids in urdu. Entertainment Ranbir Kapoor calls Brahmastra 'deeply rooted in Indian culture', says had 'the opportunity to create our own Marvel'. Entertainment Dharmendra updates fans about his health, shares video: 'Main chup hoon, bimar nahi'. Nupur Sharma, Jindal ignored warnings, dented image, action to draw the line: BJP. Now, UAE, Maldives, Jordan condemn remarks against Prophet by expelled BJP leaders. Rockwell also translated Hindi author Krishna Sobti’s Gujarat Pakistan Se Gujarat Hindustan into English as A Gujarat Here, A Gujarat There in 2019, which offers an insight into the events leading up to the Partition through a feminist lens. This year, Daisy Rockwell shared the International Booker Prize with Geetanjali Shree for Tomb of Sand. Pakistani author Khadija Mastoor’s Urdu novel Aangan, which is considered a landmark work in Partition literature, was first translated as The Inner Courtyard by Neelam Hussain in 2001, and later as The Women’s Courtyard by Daisy Rockwell in 2018. Opinion | The world according to Geetanjali ShreeĪnother example is Pakistani historian Anam Zakaria, who has written two books about partitions in the Indian subcontinent: The Footprints of Partition: Narratives of Four Generations of Pakistanis and Indians (2015) and 1971: A People’s History from Bangladesh, Pakistan and India (2019).Īccording to Ray, due to an increase in translations in recent years, women who had mostly written in their mother tongues were discovered by the English-reading public. Since then, we have had authors like Sunanda Sikdar, whose post-Partition memoir Doyamoyeer Kotha (translated into English as A Life Long Ago) was acclaimed widely. She also documented how it affected children and the scheduled castes.īapsi Sidhwa’s novel Ice Candy Man (1992) offered a glimpse into post-Partition Pakistan and its anxieties and faultlines through a child’s eyes. Urvashi Butalia was instrumental in archiving oral histories of women who lived through the event. In fact, one of the most enduring literary pieces about the Partition is Amrita Pritam’s Punjabi poem “Aaj Aakhaan Waris Shah Nu (Today I Invoke Waris Shah)”.įrom the 1990s, women’s voices increased in Partition writing. Novels like Jyotirmoyee Devi’s Epar Ganga Opar Ganga (1968), which was translated as The River Churning, dealt with the female experience of the Partition, which involved sexual violence, forced conversions, and in many cases, getting shunned by their own communities. This is not to say that women had not written about the event till then. Prior to that, even fiction that spoke about women’s experiences often happened through the male gaze like Saadat Hasan Manto’s short story “Khol Do” (“Open It”) and Narendranath Mitra’s novel Jaiba (The Biological). Partition literature was by and large dominated by male writers until the 1990s.
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